Showing posts with label Blondie. Show all posts
Showing posts with label Blondie. Show all posts

June 16, 2019

Published June 16, 2019 by ad-vinylrecords with 0 comment

Blondie - The Hunter (1982) - Lp


















Side A
A1.  Orchid Club  (5:44) 
A2.  Island Of Lost Souls  (4:44) 
A3.  Dragonfly  (5:58) 
A4.  For Your Eyes Only  (3:05) 
A5.  The Beast  (4:50)

Side B
B1.  War Child  (4:00) 
B2.  Little Caesar  (2:57) 
B3.  Danceway  (3:16) 
B4.  (Can I) Find The Right Words (To Say)  (3:04) 
B5.  English Boys  (3:46) 
B6.  The Hunter Gets Captured By The Game  (3:32)


Release:  1982
Format:  LP
Genre:  Pop
Label:  Chrysalis Records
Catalog#  204697
Prijs:  €10,00

Vinyl:  Goed
Hoes:  Goed

http://www.ad-vinylrecords.com/product/blondie-the-hunter-lp/

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September 23, 2015

Published September 23, 2015 by ad-vinylrecords with 0 comment

Blondie - Parallel Lines (LP)
























Side A
A1.  Hanging On The Telephone  (2:17)  
A2.  One Way Or Another  (3:31)  
A3.  Picture This  (2:53)  
A4.  Fade Away And Radiate  (3:57)  
A5.  Pretty Baby  (3:16)  
A6.  I Know But I Don't Know  (3:53) 

Side B
B1.  11:59  (3:19)  
B2.  Will Anything Happen?  (2:55)  
B3.  Sunday Girl  (3:01)  
B4.  Heart Of Glass  (3:54)  
B5.  I'm Gonna Love You Too  (2:03)  
B6.  Just Go Away  (3:21)

Release:  1978
Label:  Chrysalis Records
Catalog#  511192

order / bestellen € 10,00
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February 24, 2015

Published February 24, 2015 by ad-vinylrecords with 0 comment

Blondie - Platic Letters (1978)














Artist:  Blondie
Title:  Plastic Letters
Release:  1978
Format:  LP
Label:  Chrysalis Records
Catalog#  511166

“Plastic Letters” is the second studio album by American rock band Blondie, released in February 1978 on Chrysalis Records.
In artistic terms, “Plastic Letters”, Blondie's second album, was a classic example of the sophomore slump. If their debut, Blondie, was a precise update of the early-'60s girl group sound, delivered with an ironic, '70s sensibility, its follow-up seemed to consist of leftovers, the songwriting never emerging from obscurity and pedestrian musical tracks. The production (again courtesy of Richard Gottehrer) was once again bright and sharp, but in the service of inferior material it alone couldn't save the collection. The two exceptions to the general mediocrity were "Denis," a revival of Randy & the Rainbows' 1963 hit "Denise," for which Deborah Harry sang a verse in French to justify the name and gender change, and "(I'm Always Touched by Your) Presence, Dear," written by Gary Valentine, who had left Blondie shortly before the recording of the album. Due to these two songs, the album became a commercial success, at least overseas. British-based Chrysalis Records had bought out Private Stock, giving Blondie greater distribution and more of an international marketing focus. The result was that "Denis" broke them in Europe, nearly topping the U.K. charts and followed into the Top Ten by "(I'm Always Touched by Your) Presence, Dear," with the album also peaking in the Top Ten. In the U.S., Blondie finally charted, making the Top 100. The songwriting problem did not seem to bode well, but they would take a distinctly different approach next time out.


Side one
1.  Fan Mail   (2:35)
2.  Denis   (2:15)  
3.  Bermuda Triangle Blues (Flight 45)   (2:45)  
4.  Youth Nabbed As Sniper   (2:56)  
5.  Contact In Red Square   (1:56)  
6.  (I'm Always Touched) By Your Presence Dear   (2:40)  
7.  I'm On E   (2:12) 

Side two
1.  I Didn't Have The Nerve To Say No   (2:50)  
2.  Love At The Pier   (2:24)  
3.  No Imaginations   (2:54)  
4.  Kidnapper   (2:34)  
5.  Detroit 442   (2:24)  
6.  Cautious Lip   (4:21)

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December 25, 2013

Published December 25, 2013 by ad-vinylrecords with 0 comment

Blondie - Autoamerican (1980)

















Artist:  Blondie
Title:  Autoamerican
Release:  1980
Format:  LP
Label:  Chrysalis Records
Genre:  Dance, Pop, Rap
Catalog#  202987

“Autoamerican” is the fifth studio album by the US new wave band Blondie. It was released in November 1980. The album proved to be a radical departure for the band, with opening track “Europa” setting the pace. The track was a dramatic instrumental overture featuring orchestral arrangements and ending with vocalist Debbie Harry reciting a poem about the importance of the car in American society. Besides rock and pop tracks, the band explored a wide range of other musical genres; “Here’s Looking At You” and “Faces” show jazz and blues influences, the reggae hit “The Tide Is High” was a cover of The Paragons 1965 Jamaican ska hit, whereas “Rapture” combined funk, rock, jazz, and even saw them embracing the then budding genre of rap. The closing track, “Follow Me”, was a cover of a torch song from Alan Jay Lerner and Frederick Loewe’s 1960 Broadway musical Camelot, based on the King Arthur legend.
The band released two singles from this album, “The Tide Is High” and “Rapture”.

Side One
1.  Europa   (3:31)
2.  Live It Up   (4:09)
3.  Here’s Looking at You   (2:58)
4.  The Tide Is High   (4:39)
5.  Angels on the Balcony   (3:47)
6.  Go Through It   (2:40)

Side Two
1.  Do the Dark   (3:51)
2.  Rapture   (6:30)
3.  Faces   (3:51)
4.  T-Birds   (3:56)
5.  Walk Like Me   (3:44)
6.  Follow Me   (3:01)

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